Wednesday, October 19, 2011

Joint issues Portugal - Korean Republic

Stamps
First Day Cover
The Turtle Ship
As a pioneering type of war ship of the Joseon Dynasty, the Turtle Ship was conceived in 1592 by Admiral Yi Sun-Shin who anticipated a Japanese invasion. The shape and tactical capabilities portrayed by Admiral Yi Sun-Shin himself are as follows:
“Wooden planks are laid on the upper deck of the ship, and on those planks, narrow cross-shaped ramps are placed to enable people to walk through, with sharp spear heads and spikes lodged on the rest of ship’s surface. The bow of the ship is shaped like a head of a dragon, while the stern takes the shape of the tail of a turtle. There are gun ports fore and aft and also six gun ports port and starboard respectively, where large projectiles are loaded and fired. When enemy soldiers attempt to board the vessel, a straw mat is placed over the blades on the back of the Turtle Ship so they cannot be seen. The Turtle Ship will hereinafter be in the vanguard of naval  warfare, with its sharp spear heads and spikes stopping enemy soldiers from climbing onto its back. When enemy ships try to siege the Turtle Ship, it can fire its cannons simultaneously fore and aft, port and starboard.”
Yi Sun-Shin, Korea’s venerated admiral, utilized the Turtle Ship as an assault ship and gained victory in 23 naval battles over 7 years under the spirit of “If you want to live through combat, you will certainly die. But if you want to die at combat, you will certainly live.” The Korean people take immense pride in both Admiral Yi Sun-Shin and his indomitable Turtle Ship.

The Portuguese Nau
The age of the Caravels came to an end when Cap Bojador was rounded in 1487. The prevailing Atlantic winds and currents that enabled this feat, rendered far-away voyages feasible and justified the choice of the Nau as a more suitable vessel for the Cape route. The reason was that it had much greater DW tonnage, it could carry more cargo thus enable larger profits and also more provisions, a larger crew, passengers, as well as cannons for protection against the corsairs. Generally, the Nau had 3 decks, 3 masts (2 fitted with square sails and one with a Latin sail), a forecastle and an aftercastle, and a carrying capacity varying between 120 and 1200 tuns.
Naus that sailed on the so called “Carreira da Índia” (India route) played a leading role on the annual trade route between Lisbon and Goa, initiated with the discovery of the maritime route to India, a voyage that Valignano in 1574 described as being “the longest and most trying voyage there is”. A true odyssey, which documents, in a dramatic way, our “história trágico-marítima” (“tragic history of the sea”), a narrative of dramatic shipwrecks occurred in those times.

Technical Details
Date of Issue: 25 March 2011
Values: stamps of N20g (€0,32) and E20g (€0,80)
Designer: Eunkyung Park (Navio Tartaruga) Telmo Gomes (Nau Portuguesa)
Printer: Cartor Security Printer
Process: 4-colour offset lithography
Size: stamps 40.0 mm x 30.6 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Tuesday, October 18, 2011

Centenary of GNR

Stamp
Souvenir Sheet

First Day Cover with stamp
The Guarda Nacional Republicana (GNR) is heir to a two hundred year tradition of service and allegiance to the Law and to the People, which starts in 1801 with the creation of the Guarda Real de Polícia de Lisboa (Royal Police Guard of Lisbon), whereby making Portugal one of the first countries in Europe and the world to have a military body specially dedicated to maintaining public safety and public order.
With the beginning of the Republic in 1910, the Guardas Municipais de Lisboa e do Porto (Municipal Guards of Lisbon and Porto) become extinct by decree of the Interim Government, which temporarily determines the creation of the Guardas Republicanas (Republican Guards), without any fundamental change in regard to their predecessors.
The Guarda Nacional Republicana (GNR) was established on 3 May 1911 to “ensure public safety, law enforcement and safeguard public and private assets across the country.” The new military corps was initially constituted by a group of squadrons - six battalions on the mainland and two infantry companies on the islands - with approximately five thousand men.
Nevertheless, the political and social turmoil, namely the great outbreak of strikes, do not let the GNR rest assured, obliging it to intervene here and there. Furthermore, the monarchist rebellions drew the attention of its leaders to the need to strengthen institutional security. Thus, in May 1919, the Government decided to reinforce the GNR, hereby reorganizing it, endowing it with artillery and increasing its workforce to nearly 19 thousand men.
In 1946, after almost 25 years of absence from the Azores, a GNR Detachment parts for the island of Terceira to ensure the policing of the Lajes Air Base. Between 1961 and 1974, a GNR unit constitutes the Rural Police of the São Tomé and Príncipe Police Corps and, in addition to the normal rural policing missions, plays an important role in supporting aircraft stopovers and humanitarian aid to numerous refugees. More recently, the history of the Guarda Nacional Republicana is marked by the creation of the Brigada de Trânsito (Traffic Brigade) in June 1970 and the Brigada Fiscal (Fiscal Brigade) in June 1993, pursuant to the extinction of the Polícia de Viação e Trânsito (Traffic and Transit Police) and the Guarda Fiscal (Fiscal Guard) respectively.
Besides its missions on national territory, the GNR has been an extension of Portugal in major armed conflicts of modern times - East Timor, Iraq, and Bosnia and Herzegovina - and in countless scenarios of natural disasters and civil emergencies.
The Guarda Nacional Republicana is currently a security force with a general police mission, composed of approximately 25 thousand military elements with remits and powers to act across the country, assuming direct responsibility for ensuring public security, peace and tranquility in approximately 95% of the national territory, serving more than 60% of the resident population and accompanying large seasonal movements of people and national events.
With this philatelic issue, the CTT (Portuguese Postal Service) associates itself to the celebration of the centenary of the Guarda Nacional Republicana, thus acknowledging the cultural tradition that the existence and performance of its military elements have represented for the history of Portugal.

Technical Details
Date of Issue: 24 April 2011
Values: N20g (€0,32)
Designer: Atelier Acácio Santos / Hélder Soares
Credits:
Stamp - Caps Representative National Guard (male and female)
Souvenir sheet - Some in the Military Mission and valences National Guard, Patrol Cycle; Proximity Policing Program (Safe Schools); Surveillance and Control Coast, Nature Conservation and the Environment, International Operations Peacekeeping; Honors State (Military Featured cavalry) and Protection and Rescue (1 st intervention in forest fires).
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 40.0 mm x 30.6 mm
Perforation: Cross of Christ 13 x 13
Paper: White TR CPST 331 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Monday, October 17, 2011

EUROPA - FORESTS

Portugal's Souvenir Sheet
Azores's Souvenir Sheet
Madeira's Souvenir Sheet
FDC Stamps
The United Nations General Assembly declared 2011 the International Year of Forests intends with this initiative to raise awareness and mobilize the international community - governments, organizations and citizens in general - to the knowledge of the crucial importance of this immense, complex, diverse and fragile natural resource which are renewable forests.

Forests are the most powerful symbol of nature and provide, directly or indirectly, a very diverse set of goods and services of the highest economic value, social, cultural and environmental. No other natural resource has provided the man with so great a plurality of essential goods and services, but also looks, symbols and emotions such as forests.

There was always a very close connection between human history and the history of forests since the time when the natural forest, dense and extensive, was the cradle, the refuge and food base of primitive man to the present day, when civilization and development is often built at the expense of the forest, a long, long process of deforestation.

The forests now represent about 30% of land area, 80% of all biodiversity and are a place of shelter and livelihood for a significant part of humanity. The management, conservation and sustainable development of forests has become the central issue of international debate on forests and combating environmental threats that confront the planet: deforestation, desert encroachment, reduction of biological and genetic diversity, and changes vegetation decline climate.

Portugal is a country of forests! The forest covers 39% of the country, which is one of the highest rates of afforestation of the European Union. Our climate is conducive to forestry and sustainable forest development is a national strategic challenge, a multifunctional perspective, which brings together broad consensus in the country. The forestry sector is one of the most dynamic and competitive exporters of our economy, representing about 3% of our GDP, industrial production 12%, 11% of our exports and more than 260 000 jobs.

Reflecting the country's ecological diversity, the Portuguese forest is composed of a significant wealth of forest species, either natural or naturalized, or exotic, yet the pine, eucalyptus and cork together occupy 2 / 3 of forest cover and the base are the three main industrial procedures. They are still the highlight of pine (4%), holm oak (13%), oak (5%) and chestnut (1%). A highlight for the cork oak tree, "Tree symbol of Portugal" producer of cork, we are the largest producer, the largest processor and the largest exporter worldwide.

Also noteworthy was the Autonomous Region of Madeira, which has the largest patch of laurel forest of Macaronesia, and that is in a better state of preservation, giving it the classification of UNESCO World Natural Heritage. The scenic beauty and the peculiarities of Laurel have greatly contributed to tourism and sports nature.

Highlights also include the Azores where in their "nine islands of the mist," true sanctuary of nature, are remnants of flora from other times, important forest reserves, forests for the production of Cryptomeria and a great appreciation of their forest areas the standpoint of tourism and recreation.

Portugal's heart and soul with the International Year of Forests, whose celebrations are organized by the Ministry of Agriculture, Rural Development and Fisheries and the National Commission for UNESCO.

The CTT of Portugal join this project, through a set of stamps that, under the aegis of PostEurop, Europe is the issue - Forests.

Jose Neiva Vieira / National Forest Authority

Technical Details
Date of Issue: 16 May 2011
Values: Three stamps of €0,68
Designer: Atelier Acácio Santos / Túlio Coelho
Printer: Cartor Security Printer
Process: 4-colour offset lithography
Size: stamps 40.0 mm x 30.6 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Sunday, October 16, 2011

UPAEP 100

The Postal Union of the Americas, Spain and Portugal (UPAEP), based in Montevideo, Uruguay, is an association of postal authorities of following countries: Netherlands Antilles, Argentina, Aruba, Bolivia, Brazil, Canada, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Spain, USA, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Portugal, Dominican Republic, Surinam, Uruguay, Venezuela.
It was founded in 1911 as a restricted union of the Universal Postal Union.
Since 1989, the UPAEP member countries are issuing sets of stamps based on a common theme, which always included the logo of the organization.

Technical Details
Date of Issue: 16 May 2011
Values: Stamps of €0,80
Designer: Whitestudio /Eduardo Aires
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm
Perforation: Cross of Christ 13 x 13
Paper: True White TR CPST331 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Tuesday, October 4, 2011

Stamps of Carlos do Carmo and Amalia Rodrigues on theme fado





In the year that we celebrate the candidature of Fado Intangible Heritage of Humanity by UNESCO, the post of Portugal to mark the event a stamp issue featuring fado as a symbol identifier of Lisbon and cultural history of the country

The fado singer Carlos do Carmo, one of the major instigators of this candidacy appears to play in a Euro stamp issuing six stamps, launched on Monday 3 October.

This first series of stamps dedicated to Fado pays homage to some of the great interpreters of the twentieth century, as Alfredo Marceneiro, Carlos Ramos, Herminia Silva, Maria Teresa de Noronha, Amalia Rodrigues and Carlos do Carmo.

The images of the stamps of 0.32, 0.47 and 0.57 euros are part of the Museum of Fado, while the singer Maria Teresa Noronha reproduced on the stampsl of 0.68 euros is a photo of the Valentim de Carvalho. In turn, the stamp that plays Amalia Rodrigues of the image is 0.80 euros Foundation Amalia Rodrigues and finally a photograph of Carlos do Carmo is written by Fernando Bento.

The block of the issue, which includes a 2.50 euro stamp reproduces
the Portuguese guitar playing an oil in canvas by José Malhoa with the title 'Fado' from the Museum of the City of Lisbon.

Since yesterday, more than one million stamps will spread throughout the world the unique Portuguese musical expression which turns into a world heritage site.

Technical Details
Date of Issue: 3 March 2011
Values: stamps of €0,32, €0,47, €0,68, €0,80 and €1.00 and one souvenir sheet with one stamp of €2,50
Designer: Atelier Acácio Santos / Elizabete Fonseca
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 40.0 mm x 30.6 mm
souvenir sheet 125 x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: White TR CPST331 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Museum of Chiado

Stamps
Souvenir sheet
Founded in 1911 by Decree of the Republic, the National Museum of Contemporary Art (MNAC) has historically been one of the first institutions in this vocation museums internationally. Representative of the republican ideals of democratization of access to education and culture, the museum was the result of division of the former National Museum of Fine Arts in two separate institutions: the National Museum of Ancient Art, which inherited the collections before 1850, and the National Museum Contemporary Art, which incorporated all the artworks after this date, then chronological considered the hinge of modernity.
Throughout the first decades of the twentieth century, the collection of MNAC was enlarged through various acquisitions, including works by students Academy of Fine Arts and the Legacy Valmor application, which allowed the acquisition of works at the Salons of the Annual Art Guild and the National Society of Fine Arts.The collection thus reveals the artistic creation of the various generations that constituted modernity, a journey that begins with Romanticism, Naturalism is particularized in, takes his consciousness in modernism and with the abstract, the Surrealists and Neo-realists reaches fullness, though, for political and social reasons, these movements tend to stay on the sidelines of international contexts.
Installed since 1911, the property of the former Convent of San Francisco City, an area adjacent to the Academy and College Fine Arts, the museum was completely renovated in 1994 according to plans of French architect Jean-Michel Wilmotte, following the fire in 1988 affected the historical area of Chiado. This privileged location in one of the most iconic meeting places for intellectuals and modern artists, was institutionally assumed name with the Chiado Museum, adopted in 1994.
After the renovation of the museum, the contemporary has given special attention, gradually overcoming the chronological limits of the 1950s. Currently, the collection of MNAC - Museu do Chiado, an institution under the Ministry of Culture through the Institute of Museums and Conservation, has more than 4500 pieces, with seminal works of major artists and movements from 1850 to the present, covering the vast field of painting and sculpture, through drawing, photography and new media. In a process of continuous updating, the museum seeks to monitor and integrate contemporary manifestations, encouraging the creation and reflecting on their contexts of production. Parallel to the study and dissemination of its collections of modern and contemporary Portuguese art, the MNAC - Museu do Chiado promotes exhibitions of national and international, as well as a number of other educational and cultural activities.
National Museum of Contemporary Art - Museum Chiado

Technical Details
Date of Issue: 26 May 2011
Values: Stamps of €0,32; €0,32; €0,47; €0,47; €0,68; €0,68  + miniature sheet with two stamps of €1,50
Designer: Atelier Acácio Santos /Elisabete Fonseca
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm; souvenir sheets 125mm x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps