Thursday, September 22, 2011

Centenary: Pupils of the Army

 

The Institute of Pupils of the Army, created in 1911, is one of the projects achieved more and more of the republican regime and perennials will celebrate next month of May, 100 years old. This centennial means clearly that men are not exhausted in what they do, when the work is.

Initially called the Institute of Professional Pupils Army Land and Sea, founded with the purpose of training citizens useful to his country, continues today as before, to be a reference in the Portuguese educational, thus constituting a clear demonstration of how, over a century, every generation Republican, even during the most severe crises in the country, as of 1915, were able to understand the value and relevance of the objectives of its founders.

And what are these objectives? Provide training for technical and pedagogical nature, that the country desperately needs, allowing students a professional qualification certified to practice a profession, but allowing them at the same time assimilating a core knowledge curriculum with courses that are open to the post -secondary or higher education.

The unique internal organization of the PSI creates, in turn, students in a relatively strong sense of belonging to the institution, developing in them a solid body and a spirit of commitment to the ideals of comradeship, friendship and solidarity , thus giving the institution a cohesion that enriches their educational activity and also identifies the training school for pro-social values, which were, therefore, Republicans figured the objectives of its founders.

Although the integrated supervision of the Army, the courses of the Elementary and Secondary Education, held at PSI, operate a boarding and day schools, and are, for all intents and purposes, considered equivalent to corresponding courses of the official teaching of the Ministry of Education, with the entry into the institution open, without any exclusive, all young men and women of school age, the conditions required for registration.

The structure of vocational courses is translatable into a set of specialties in the best interest of the community, so the Institute is sought with special motivation students from various districts of the country, autonomous regions and PALOP (African Countries of Portuguese Official Language) and can therefore say that it is representative of a pedagogical concept with a unique experience in the Portuguese educational landscape, linking the act of formation, simultaneously, aggregating a huge virtual and transnational.

In conclusion, it can be assumed that all the assumptions that justified, then the creation of an educational institution which met and satisfied the needs of a quality technical education, now known as Institute of Pupils of the Army, remain fully alive, being translated into a valuable and intense educational activity for a century, by this institution, always at the service of noble values ​​proclaimed by the Republic in 1910, and has thus its own right, historical right to noble heritage of the men who knew how to drive large vision and to develop a school that fosters such skills and talents to build a better future for Portugal.

Francisco Alves Antonio Rose
Director of the Institute of Pupils Army

Technical Details
Date of Issue: 25 May 2011
Values: Stamps of €0,32; €1,00  + miniature sheet with one stamp of €2,50
Designer: Atelier Acácio Santos /Hekder Soares
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm; souvenir sheets 125mm x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: True White TR CPST331 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Monday, September 19, 2011

Museum of Chiado

 
Founded in 1911 by Decree of the Republic, the National Museum of Contemporary Art (MNAC) has historically been one of the first institutions in this vocation museums internationally. Representative of the republican ideals of democratization of access to education and culture, the museum was the result of division of the former National Museum of Fine Arts in two separate institutions: the National Museum of Ancient Art, which inherited the collections before 1850, and the National Museum Contemporary Art, which incorporated all the artworks after this date, then chronological considered the hinge of modernity.

Throughout the first decades of the twentieth century, the collection of MNAC was enlarged through various acquisitions, including works by students Academy of Fine Arts and the Legacy Valmor application, which allowed the acquisition of works at the Salons of the Annual Art Guild and the National Society of Fine Arts.The collection thus reveals the artistic creation of the various generations that constituted modernity, a journey that begins with Romanticism, Naturalism is particularized in, takes his consciousness in modernism and with the abstract, the Surrealists and Neo-realists reaches fullness, though, for political and social reasons, these movements tend to stay on the sidelines of international contexts.
 
Installed since 1911, the property of the former Convent of San Francisco City, an area adjacent to the Academy and College Fine Arts, the museum was completely renovated in 1994 according to plans of French architect Jean-Michel Wilmotte, following the fire in 1988 affected the historical area of Chiado. This privileged location in one of the most iconic meeting places for intellectuals and modern artists, was institutionally assumed name with the Chiado Museum, adopted in 1994.
After the renovation of the museum, the contemporary has given special attention, gradually overcoming the chronological limits of the 1950s. Currently, the collection of MNAC - Museu do Chiado, an institution under the Ministry of Culture through the Institute of Museums and Conservation, has more than 4500 pieces, with seminal works of major artists and movements from 1850 to the present, covering the vast field of painting and sculpture, through drawing, photography and new media. In a process of continuous updating, the museum seeks to monitor and integrate contemporary manifestations, encouraging the creation and reflecting on their contexts of production. Parallel to the study and dissemination of its collections of modern and contemporary Portuguese art, the MNAC - Museu do Chiado promotes exhibitions of national and international, as well as a number of other educational and cultural activities.
National Museum of Contemporary Art - Museum Chiado

Technical Details
Date of Issue: 26 May 2011
Values: Stamps of €0,32; €0,32; €0,47; €0,47; €0,68; €0,68  + miniature sheet with two stamps of €1,50
Designer: Atelier Acácio Santos /Elisabete Fonseca
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm; souvenir sheets 125mm x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Sunday, September 18, 2011

MALAYSIA – Cover from Penang, Malaysia to Braga, Portugal.

First Day Cover with stamps from the 2011 Malaysian issue ‘Royal Palaces’ posted on July, 18 2011.
(Special thanks to my friend Maryam Muhammad Irwan)



Saturday, September 17, 2011

50 Years - Portuguese Marine Corps



The Portuguese Marine Corps (Portuguese: Corpo de Fuzileiros) are a Special Forces unit in the Portuguese Navy. The corps is specialised in amphibious warfare, coastal reconnaissance, maritime interdiction and boarding operations. The Portuguese Marine Corps (Corpo de Fuzileiros) is an Elite Light Infantry Force, operating as a Rapid-Reaction Force.
Initial training to become an enlisted Fuzileiro lasts about 42 weeks. It is conducted at the Escola de Fuzileiros in Vale de Zebro. It is rigorous and very demanding, both physically and mentally, and eventually 25% to 40% will pass. If successfully completed, the recruits receive their Blue Dark Beret, and are assigned to operational units. The Fuzileiros in training are constantly under stress and pressure from instructors leaving them no respite. All activities are timed and scored: marching several tens of kilometers with equipment and weapon, obstacle course, navigation at night on the ground. The training is punctuated by firearms training and special combat techniques, rappelling and climbing, boating, explosives and hand-to-hand combat.
This stamp issue celebrates 50 years since the foundation of the Portuguese Marine Corps

Technical Details
Date of Issue: 3 June 2011
Values: Stamps of €0,32 and €0,80  + miniature sheet with one stamp of €2,00
Designer: Atelier Acácio Santos /Elisabete Fonseca
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm; souvenir sheets 125mm x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps

Wednesday, September 14, 2011

National Archives - Torre do Tombo

First Day Cover with set of stamps

Souvenir sheet
Archive of Torre do Tombo dates back to the thirteenth century, but only appears documented in 1378, the year that the actual file was installed in the castle of St. George. The fact that they have been deposited in it the ancient book of "Recabedo Regni," made ​​will now be referred as the "Torre do Tombo," popularized in the time of designation D. John I, and said that in time, identifying currently one of the oldest institutions of Portugal. 

Documentation File of the House of the Crown or Royal Archive was the primitive core of the Torre do Tombo. With similar functions to a file of our day, kept all documentation relating to the Treasury (Finance), the books of the royal chancellery (Records of the governing activity), the charters, boundaries of the bumps (Property Records), the sentences of Made Judge of the Crown, certificates of institution morgados and chapels, wills, documents resulting from acts of diplomacy (the marriage treaties of peace, limits, division of the world for its exploration), the documents produced in scope of the maritime expansion. It also included the documentation "of the parties" - legal and natural persons - upon request addressed to the king, obtained permission to trust the Torre do Tombo custody of some of its documents, originals or certified copies, guaranteeing the reliability of the documents submitted and allowing the exercise of rights.

On November 1, 1755, the tower collapsed during the earthquake. The documentation was gathered from the debris, and stored temporarily in a wooden shack, built in the Plaza de Armas. On 26 and 27 August 1757, was transferred temporarily to a part of the building of the Monastery of St. Benedict's Health This situation continued until the inauguration of the new and modern facilities existing in 1990, located in University Mall.

The Liberalism brought a new wave of mergers documentation extinct institutions, pointing out the file and the convents of the Holy Office of the Court, commonly known as Archive of the Inquisition. This line is part of the publication of the Decree of 2 October 1862, which led to the incorporation of documents prior to 1600, with the oldest dating from the ninth century (882), witnessing experiences and events prior to the founding of Portuguese nationality.

With the establishment of the Republic, the National Archives, was under the responsibility of the Directorate General of Education, the Ministry of the Kingdom, and stressed the role of conservation and enhancement of the manuscripts, then absorbing the parish books, with particular emphasis on baptismal records , marriage and death which today constitutes one of the best sources for knowledge of the Portuguese population.

In 1992, Decree-Law No. 106-G/92, 1 June, there was the merger of the Torre do Tombo Institute File Portuguese, established in 1988 to coordinate national policy file.

Decree-Law No. 93/2007 of March 29, creates under the Ministry of Culture, General Directorate of Archives (DGARQ), succeeding this far in assignments entrusted to the Institute of the National Archives / Torre do Tombo (IAN / TT) and the Portuguese Centre for Photography (CPF) that were abolished and merged, maintaining however their identities.

This reform is understood to recover the identity of the National Archives of Torre do Tombo, giving it new powers in the management of electronic archives, along with the explicit mandate to enforce the law establishing the foundations of the political regime and the protection and enhancement of cultural heritage in its strand of papers and photographic heritage.

A cultural heritage to be shared by all
funds held by the Torre do Tombo, more than 1,000 funds documentary, occupying about 90 km long, especially because universal collection "Body Chronological "composed of 83,000 documents that have recently joined the list of UNESCO's Memory of the World Register, which is equivalent to the brand of World Heritage.
The Directorate General of Archives and National Archives of Torre do Tombo have online databases http://digitarq.dgarq.gov.pt/ with about 1,500 documents and records of 7,000,000 images, free access to all domestic and foreign users.
Silvestre Lacerda de Almeida

Directorate General of Archives
National Archives of Torre Tombo

Stamps
€0,32 - Leitura Nova, Livro 4 de Além-Douro: “Quarto da comarca d Alem Doyro. Leytura d el Rey Dom Joham segundo e d el Rey Dom Afonso quinto e d el Rey Duarte". Pergaminho, 1513-08-10.
€0,68 - Carta de fundação da Igreja de Lardosa. Pergaminho, 882-06-27 (fundo/background);
Leitura Nova, Livro 4 de Além-Douro:“Quarto da comarca d Alem Doyro. Leytura d el Rey Dom Joham segundo e d el Rey Dom Afonso quinto e d el Rey Duarte". Pergaminho, 1513-08-10.
€2,00 - Carta de fundação da Igreja de Lardosa. Pergaminho, 882-06-27

Souvenir sheet
Edifício do Arquivo Nacional da Torre do Tombo, foto Fernando Guerra;
Atestado, mandado fazer por D. Dinis, no qual se certifica que se tinha pescado um solho, de grandes dimensões, no Tejo, perto de Santarém. Pergaminho, 1321-02-06 (fundo/background)
Carta de fundação da Igreja de Lardosa. Pergaminho, 882-06-27.

Technical Details
Date of Issue: 12 July 2011
Values: Stamps of €0,32; €0,68 and €2,00  + miniature sheet with one stamp of €2,30
Designer: José Brandão/Susana Brito
Printer: Joh. Enschedé
Process: 4-colour offset lithography
Size: stamps 30.6 mm x 40.0 mm; souvenir sheets 125mm x 95 mm
Perforation: Cross of Christ 13 x 13
Paper: FSC 110g/m2
Watermark:
Sheet: sheets of 50 stamps