THAILAND – Cover from Phatumthani, Thailnad to Braga, Portugal

Cover with stamps posted on January, 24 2012.

(Many thanks to P. Jiratthi)

Communicating Colours

Set of stamps

First Day Cover with stamps

It is estimated that there are 350 million colour blind people in the world.Research into the causes of colour blindness has revealed that it entails restrictions and consequences: “How to choose or buy clothes? What to answer a child when it asks you to pass the green pencil because it wants to paint a tree? How to interpret the subway map if the lines are represented by colours? How to perform a professional vocation when they are all anchored in the colour realm?” The mission of ColorADD is to offer the colour blind acquisitive independence,easier social integration in situations when choosing a COLOUR is relevant and to minimize the feeling of loss that this handicap causes, with an ensuing boost of the person’s well-being and self-confidence. Ninety per cent of the world’s information is produced by COLOURS. A survey carried out in several countries involving colour blind people highlighted the difficulties in terms of social and professional integration. For instance: more than 90% of the colour blind need assistance to buy clothes; more than 40% experience social integration difficulties, almost 50% have felt embarrassed or ashamed because in various circumstances the colour selected was not the most adequate.

The recognition of the need and the geographical and multicultural dispersion of the colour blind strengthen the importance of transversal and global communication that allows the colour blind to correctly identify COLOURS.
The analysis and study of various symbologies used all over the world have led to the conclusion that COLOUR and SHAPE guarantee communication universality. The challenge would thus consist in ensuring that SHAPE, in itself, could guarantee the communicational function and identify the COLOUR in a positive way, without causing embarrassment to the colour blind, and a swift and easy integration in that person’s “visual vocabulary”. This gave rise to the idea of “recovering” the concept of adding colour. We all remember the watercolour boxes we used in school, with the three primary colours + white and black. Even if a colour blind person does not identify the colours correctly, he or she has learned to mix them to obtain other colours, awarding to each one of them a graphic symbol that represents the colour in question.
Starting out from the acquired knowledge, in the same way that we are taught to mix BLUE with YELLOW in order to get GREEN, the colour code enables to associate the symbol that represents BLUE to the symbol that represents YELLOW in order to identify GREEN. WHITE and BLACK are used to guide lighter and darker shades. This way, and by memorizing only five symbols, the colour blind can be guided and are able to identify all colours. Thus the ColorADD Code becomes transversal to all areas of the global society, regardless of geographical location, culture, language and religion, and can be implemented in the fields of education, health, transport, in teaching materials, in clothing and textile industries or in information technology. This issue, made up of five stamps, presents the ColorADD concept. Each stamp represents the three primary colours + white and black. The ColorADD code ranged next to the CTT nomina – in which red represents national mail, blue represents priority mail, yellow represents mail for Europe and white and black represents mail for the rest of the World – translates COLOURS in graphical terms, allowing for their correct identification by individuals who otherwise would be unable to distinguish them – viz. the colour blind. The ColorADD code, pioneer, unique, universal, transversal and inclusive, will be a legacy left by Portugal to Mankind. COLOURS should be for all. This is the motivation.

Technical Details

Date of Issue: 20 March 2012

Values: Stamps of €0,32; €0,47; €0,68; €0,80 and €1,00

Designer: Miguel Neiva

Printer: Joh. Enschedé

Process: Offset

Size: 40 x 30,6 mm

Perforation: Cross of Christ 13 x 13

Paper:

Watermark:

Sheet: sheets of 50 stamps

Guimarães 2012 - European Capital of Culture

Set of stamps

Souvenir sheet

First Day Cover with stamps

First Day Cover with souvenir sheet

The project of the European Capitals of Culture was launched at the beginning of the 1980s by the Greek and French ministers of culture, Melina Mercouri and Jack Lang, respectively, and was welcomed by the European Union. It is a festival designed to celebrate the cultural diversity and richness of Europe and to strengthen the ties that bind the Europeans. Held for the first time in 1985 (Athens) it now involves two cities from different countries each year.
The selected cities must prepare a cultural programme in accordance with strict criteria such as the European dimension of the event and the participation of their inhabitants. The European dimension is illustrated through the topics chosen and the cooperation between artists and cultural operators from different countries. The programme should also provide long-lasting effects and contribute to the cultural, social and economic development of the city.
The choice of Guimarães as a European Capital of Culture in 2012 (the other is Maribor, a city in Slovenia) took into account the symbolic facets of the city, recognized by UNESCO as a World Heritage Site in 2001 and the occurrence of favourable conditions for cultural creation: a significant young population, a strong network of local associations, the rooting of higher education and a high quality artistic programme.
The Guimarães 2012 programme was organized in two main areas: creative art (art and architecture, performing arts, cinema and the audiovisual, music) and city and citizens (thought, city, community, public space), supported by an overall educational service. Furthermore, a programme managed by the local associations was created.
The programmatic choices favoured the creation in context and in process, the participation of the audiences, attracting new ones, the crossing of experiences and perspectives, from the inside out and outside-in. Built on a strong connection to the community and its institutions, this encourages new creations and a sense of belonging to Europe. It invokes the new technologies as artistic resource and invites the associative movement to share the responsibilities of the project. It invests in new artistic production structures as a way of generating new possibilities for the future. It searches to strengthen and expand the role of public space in the city’s dynamics and provide a relevant contribution to the European debate.
In 2012, Guimarães is the welcoming city that has managed to retain its heritage legacy and to add contemporary values; the amazing city where every day and at the most singular venues you can take part in a diverse and creative programme of excellence. New spaces are added to historic sites and museums, the result of the conversion of old buildings that had lost their function. There, artists and public, professionals and amateurs, visitors or residents of Guimarães and its region, big institutions and small voluntary associations will meet. Researchers, artists and entrepreneurs, curators, collectors and authors, visitors and residents will cross each other. In short, the different layers a city is made of, will open to the country, to Europe and the World.

Technical Details

Date of Issue: 10 April 2012

Values: Stamps of €0,32; €0,47; €0,68 and €0,80 + one miniature sheets stamps of €3,00

Designer: Atelier Acácio Santos / Elizabete Fonseca

Printer: Cartor

Process: Offset

Size: 40,0 x 30,6 mm

Perforation: Cross of Christ 13 x 13

Paper:

Watermark:

Sheet: sheets of 50 stamps

Welcome the 25000th Visitors

Aqui ficam as melhores saudações Filatélicas, para os visitantes de todo o mundo, que diariamente visitam o meu blog.

Here are the best Philatelic greetings to visitors from all over the world who daily visit my blog.